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My Verse And I

My verse and I, we have a deal of fun.
Together, ours the colors as the sun
Falls splashing in the paint-pot of the west;
And valiant stars that nightly march abreast
Are ours to share until the night is done.

Then when these stars with morning overrun
Retreat before the dawn that most folks shun,
A new fresh hold on life we manifest,
My verse and I.

This quiet of the day that’s just begun
We call our very own, for then is spun
The poetry that spreads its balm to rest
My work-squeezed mind; and though we can attest
It brings no gold, we are a living one,
My verse and I.

by Ray Romine Monday, January 24, 1944

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My Share

“Some future boy will learn in school,”
(The Great Man said) “This stirring rhyme.
What if he hates me for a fool?–
My fame shall last for all of time.”

“Though he have trouble finding me,”
Replied the poet without a name,
“I’ll be read the way I want to be–
I’ll have his love: you keep your fame.”

by Ray Romine Wednesday, October 18, 1944

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Muse Ruse

I sat and stared awhile ago at large red volume labeled:
“The Works of Shakespeare”, and beside, a book containing fabled
And famous verse by famous men, who’ve since seen heav’n’s portal–
By Wordsworth, Byron, Dryden, Gray, and Shelley the immortal.

I pondered deep and wondered long, my thoughts beyond the ages,
And questioned Muse of distant past, she who inspired those pages;
I asked, “Did poets then, as now, go mad from rude distractions?
Wert pestered, griped, and much annoyed by wordly, loud attractions?

“If so, how’ d poet ever fill a book like that before us,
When we can’t concentrate at all, amid this Anvil Chorus?
Did poet have a soundproof cell, a sort of bomb-proof shelter
Where he could sit and ruminate away from helter-skel ter?”

Before my eyes the Muse appeared, her eyes inflamed from weeping,
And said in sad and broken voice, “My boy, thy mind needs sweeping;
The cobwebs clutter up thy brain–whatever ails thy thinker?
The answer’s there and plain to see, thou would-be poet-stinker!

“The olden poets are no more: their work was truly hi-test
Beside the Junlkand droopy stuff–the kind of trash thou writest.
For man will never concentrate– I say he simply can’t, sir;
He’s built himself a handicap–the radio’s the answer.”

Full serious suddenly she turned–sparks flashed from eyes now drying:
“We Muses here to whom thou turn famire thee much for trying,
But feature Shakespeare, Shelley, Keats composing super-duper
With radio’s god-awful blast inducing super-stupor!”

With that dread thought she hiccuped once then wagged a gentle finger:
“Jack Armstrong’s coming on anon, or I would with thee linger–
Muse-land’s changed some too, you know,
We also have our radio!”

So she may sit a-listening to her set up in our attic– But I don’t call her any more, -to her I’d just be static!

by Ray Romine Monday, September 1, 1941

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Lines Written After Visiting A Poet Friend

Forged on the anvil of anguished despair,
Set on by sorrow, and courted by care,
Still did his verses cause sunshine to start
Leagues upon leagues from his own breaking heart.

Agony sees us come into this life;
Heroes are born out of travail and strife.
Who would ring bells in the heart as his goal
Draws from the source-stuff of his tortured soul.

by Ray Romine Saturday, November 24, 1945

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It’s True, Perhaps

It’s true, perhaps, no fool unborn
Will ever quite produce such corn
As I turn out. It has a lure
For which, it seems, there is no cure.
(Excuse me, if I blow my horn)

Yet every day, in early morn,
I from my verse am rudely torn
To go to work. That IT’S more sure
Is true, perhaps.

Some distant day, retired, forlorn,
When I’m too old and tired and worn
To even think of literature,
With all the time I can conjure,
Will I wish I had my job to scorn?–
It’s true, perhaps!

by Ray Romine Thursday, April 13, 1944

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If Brevity Is The Soul Of Wit, Let’s Take This Out And Bury It!Let’s Take

I’m gonna write a LENGTHY rhyme,
If ever I do find the time;
A poem long is so impressive–
For added words are more expressive.
The reason our dear Senator
No milk-man is, or janitor?
Because he learned that lengthy talk
Will off with speaking laurels walk;
That many words will surely cover
Errors of one kind or uvver.
The radio has evidenced
A truth we long ago had sensed:
The more they talk (howe’er it smells)
About a product, the more it sells;
The guy who wins the argument
Is the one still talking when the other’s spent.
Verse abbreviated, dinky,
Folks are apt to label stinky–
An appellation we must avoid,
Else we get the boot and boid.
My motto, it has always been,
When wrestling with my fevered pen:
If terseness be the soul of wit,
Let’s say it and get over it;
(Which has done no good at all–
Brought no success that I recall)
That’s why I’m gonna write a verse
That won’t be brief and it won’t be terse;
It may be weak, or it could be strong–
But I full well know it’ll be good and long;
It may be poor and it may lack strength,
But I’m sure of this, it WILL have length;
It may take months or years, or ages–
At least, it’ll cover many pages;
Flaccid and seedy, perhaps, in spots,
But of it, you bet, there’ll sure be lots,
And. oodles and piles and gobs and scads,
And stacks and handfuls and pecks and wads;
Attenuated it may seem,
Like a long-drawn-out unwelcome dream,
But the thinner it is the farther it goes,
Or just the reverse of milady’s hose.
The public would flay, and loathe, and shell it,
But they can’t read it if I can’t sell it?
With lengthy poems, lengthy speeches,
We mean to fool our fellow-creeches;
Because of their interminable tedium,
The critics don’t take time to redium!
So if the time I ever find,
I’ll write an 8-page epic, mind;
I’ll write a verse from here to Guinea;
Do you really think ’twill help me inea?

Of course, there’s tricks in how you place ’em–

SOME poets always TRIPLE-SPACE ‘EM!!

But I don’t stoop to tricks like that,
Or am I spouting through my hat?
Before I wrlte too long a verse,
I’d better sell a SHORT ONE, FERSE!

by Ray Romine Sunday, May 2, 1943